Wednesday, October 16, 2013

iPhone 5s level and compass issues could be caused by a change in supplier

iPhone 5s level and compass issues could be caused by a change in supplier

The iPhone 5s has been widely reported to have bad compass and level readings. According to RealityCap, the issue could be caused due to a switch in suppliers for the accelerometer in the iPhone 5s.

The iPhone 5 doesn't seem to suffer from the issues the iPhone 5s is when it comes to inaccurate compass and level readings. The accelerometer for the iPhone 5 was supplied by STMicroelectronics. The iPhone 5s' part was revealed to be a Sensortech BMA220, which is made by Bosch.

It isn't so much that the supplier itself is the issue, but more that the tolerance levels and what each accelerometer is considering to be an acceptable 'zero-g offset'.

This is where we find the problem: the typical bias for the ST part is +/- 20mg, while the Bosch part lists +/-95mg. This almost 5x greater offset range is confirmed by our measurements, and is absolutely consistent with the failures being reported by users and the media.

According to RealityCap, the issue could be solved with software on Apple's part but for now individual developers can compensate inside their apps.

A fix from Apple would be the best solution since it would solve problems going forward in which developers don't compensate for the differences in tolerance levels. It will be interesting to see if Apple responds to the issues with a software update for the iPhone 5s.

Source: MacRumors via RealityCap

iPhone 5s

iPhone 5s
Apple's current flagship iPhone with a 4-inch in-cell display, LTE 4G, and BT 4.0 LE. New features include:

Complete review >

Released
September, 2013

Alternatives
iPhone 5c, iPhone 4s

Replacements
iPhone 6 (rumored)
Fall, 2014

Resources
Buyers guide
Help forum


    






Source: http://feedproxy.google.com/~r/TheIphoneBlog/~3/F5ymlxRVqpk/story01.htm
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Select Comfort's quarterly results miss estimates


(Reuters) - Specialty mattress maker Select Comfort Corp reported lower-than-expected quarterly results as customers cut back on spending in the face of growing economic uncertainty.


The company, known for its Sleep Number adjustable-firmness mattresses, said revenue rose 7 percent to $264 million.


Net income fell to $20.2 million, or 36 cents per share, from $26.2 million, or 46 cents per share, a year earlier.


Analysts on average had expected earnings of 43 cents per share on revenue of $277.5 million, according to Thomson Reuters I/B/E/S.


(Reporting by Aditi Shrivastava in Bangalore; Editing by Saumyadeb Chakrabarty)



Source: http://news.yahoo.com/select-comforts-quarterly-results-miss-estimates-201500711--sector.html
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Phiaton Fusion MS 430


Phiaton's headphones have always looked like a luxury version of the Beats by Dr. Dre lineup, despite typically being less expensive. At $179 (list), the Phiaton Fusion MS 430 is neither cheap nor overpriced, delivering audio quality that stands prominently in the crowded sub-$200 field that has such greats as the Editors' Choice Marshall Monitor. With a solid bass response that delivers deep lows and excellent high-mid and high frequency presence, it maintains a wonderful balance for just about every genre you can throw at it. This headphone pair could join some elite ranks, but over long listening periods it can get quite uncomfortable.



Design
As usual, Phiaton uses leather and other luxurious (non-plastic) materials to create a stylish-looking, (initially) comfortable design. The Fusion MS 430 features leather earpads with carbon fiber panels on the earpieces. The dominant color here is black, though the removable cable (which can be plugged into either earcup) is bright red, adding some flair to the design.


Phiaton describes the Fusion MS 430 as an over-the-ear, circumaural pair, but it's on the cusp of being a large on-ear (supra-aural) pair. I didn't find that the earcups really fit around my ear to create a seal against my head like a typical circumaural pair does. Instead the pads pressed against my ears, with the tops and bottoms of my ears hanging outside of the circular earpads' borders.


Regardless of nomenclature, the earpads are comfortable and well-cushioned at first, but they exert enough pressure on the ear that wearing them can be quite fatiguing over time. The headband has a rubberized lining that isn't very plush and gets a bit uncomfortable over time, and seems to collect dust and pet hair with the effectiveness of a Swiffer. Though it is a handsome headphone pair, the Fusion MS 430 simply isn't very comfortable over long listening sessions, and if you wear glasses, it tends to press them into the side of your skull.Phiaton Fusion MS 430 inline


The cable features an inline remote control and microphone for mobile devices. A single button controls playback, track skipping, and answering incoming calls, depending on how many times you tap it and what you mode you're in (playing music versus receiving a call). Instead of buttons to control the volume, the remote uses a slider, which can sometimes be a bit more sensitive than you might want; it's harder to make minor volume adjustments than it is with buttons. The cable's detachability adds value to the Fusion MS 430, since cables often are the first thing to malfunction on a headphone pair and replacing them is easier than replacing the headphones themselves.


The Fusion MS 430 folds flat and fits into an included drawstring protective pouch, but there are no other accessories like adapters for different headphone jack sizes or extra cables to go with it. The pouch and the one cable are all it comes with.


Performance
On tracks with intense sub-bass content, like the Knife's "Silent Shout," the Fusion MS 430 delivers a well-defined, powerful low frequency response that never distorts, even at top volumes. At reasonable listening levels, the bass response possesses richness and definition—things are boosted slightly but not ridiculously, and the presence of crisp high-mids and highs allows the overall sound signature to remain balanced.


Often with bass-boosted headphones, Bill Callahan's "Drover" gets a little muddy, with his voice receiving too much low-end and not enough high-mid clarity. This isn't the case with the Fusion MS 430, which gives his baritone vocal delivery a nice treble edge and favors the mids over the lows. This means the drumming stays pleasantly in the background instead of doing thunderous battle with Callahan's vocals for the spotlight.


The Fusion MS 430's balance is also apparent on Jay-Z and Kanye West's "No Church in the Wild." The attack of the kick drum loop on this track gets a nice amount of high-mid grit to slice through the mix, while the sub-bass synth hits that punctuate the beat are delivered with a healthy amount of power.


Classical tracks, like John Adams' "The Chairman Dances," sound balanced and flat through the Fusion MS 430. The bass boosting adds a bit of richness to the lower register strings and percussion without sounding over the top, and the higher register strings, brass, and percussion maintain a nice, bright forefront in the mix without ever sounding harsh. For fans of flat response (in the sense that flat response can also include deep bass, just not overwhelmingly-boosted gobs of it), the Fusion MS 430 is a solid option. It may have a bit more bass and treble sculpting than a truly flat response pair would have, but the balance maintained here, and the unwillingness to allow the bass to overtake the mix, makes for compelling listening.


At $179, the Phiaton Fusion MS 430 is a great pair of headphones with only one real downside: They become uncomfortable over long listening sessions. That's a pretty substantial downside for some listeners, and enough to keep us from giving it our Editors' Choice award. From a purely sonic standpoint, though, the Fusion MS 430 is a winner. In this price range, there are plenty of excellent options to consider. The Editors' Choice Marshall Monitor brings a clear mix to a stylish design, and the Harman Kardon CL with its refined sound signature is another solid option. If you're looking spend less but still want decent balance, the Editors' Choice Griffin WoodTones Over-the-Ear Headphones and Sennheiser HD 429s exceed expectations for their price range. 


Source: http://feedproxy.google.com/~r/ziffdavis/pcmag/~3/wd_1CxJY2Iw/0,2817,2425351,00.asp
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Interview with Mayor Annise Parker (Offthekuff)

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Source: http://news.feedzilla.com/en_us/stories/politics/top-stories/333940196?client_source=feed&format=rss
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Women's hockey line brawl highlights the hate ... - Yahoo Sports


The rivalry between the American and Canadian men’s national teams in hockey tournaments like the Olympics and world juniors gets a lot of attention. But comparing their levels of animosity to those between their women’s national teams is like comparing a tense conversation between friends to an arson-filled riot.


The latest chapter: Saturday night in Burlington, Vt., in Canada’s 3-2 exhibition win against the U.S., as the game ended with a wild line brawl:



The chaos began when University of North Dakota star Monique Lamoureux bumped Canada goalie Shannon Szabados during a rush to the net. Courtney Birchard skated over, put Lamoureux in a head lock and then slammed her down to the ice. Jocelyne Lamoureux rushed in to defend her twin sister, followed by US teammate Kelli Stack. Canada vets Tessa Bonhomme and Hayley Wickenheiser them rushed in, with the rest of the lines.


That’s Stack and Bonhomme with the facemask clutching wrestling match at the fight’s climax.


Birchard, Bonhomme, Jocelyne Lamoureux and Stack were all given roughing majors.


This is how these rivals tune up for the Olympic tournament. Please recall a brutal exhibition game from Oct. 2009 that included a line brawl between the teams with 3.5 seconds left.



We simply must get the scourge of fighting out of women’s hockey. Or at least lose those cages so they can have a proper melee.



Source: http://sports.yahoo.com/blogs/nhl-puck-daddy/women-hockey-line-brawl-highlights-hate-between-usa-025849473--nhl.html
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The World’s Most Expensive Bottle of Wine


TUESDAY, APRIL 20, 2010, AT 6:19 PM
Tornado Kills at Least Five in Oklahoma






FRIDAY, APRIL 29, 2011, AT 3:07 PM
Obama Gets Firsthand Look at a Tornado Damage






TUESDAY, APRIL 20, 2010, AT 6:19 PM
Tornado Kills at Least Five in Oklahoma. Very long title. Long long long. Tornado Kills at Least Five in Oklahoma. Very long title. Long long long.






TUESDAY, APRIL 20, 2010, AT 6:19 PM
Tornado Kills at Least Five in Oklahoma. Very long title. Long long long. Tornado Kills at Least Five in Oklahoma. Very long title. Long long long.



Source: http://www.slate.com/articles/video/video/2013/10/most_expensive_bottle_of_wine_2009_chateau_margaux_balthazar_sells_for_195.html
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Tuesday, October 15, 2013

'Brooklyn Nine-Nine' finds humor in humanity

TV











8 hours ago

The cast of "Brooklyn Nine-Nine:"  L-R: Stephanie Beatriz, Joe Lo Truglio, Andre Braugher, Andy Samberg, Melissa Fumero,Terry Crews and Chelsea Peretti.

Fox Broadcasting Co.

"I grew up around a ton of cultures and ethnicities and sexual preferences in Berkeley," says "Brooklyn Nine-Nine" star Andy Samberg. "To have that be the tone of the show is very comfortable for me, and I'm very happy that people have taken note and said it's a big deal in that it's not treated like a big deal."

Andy Samberg’s “Brooklyn Nine Nine” character, Detective Jake Peralta is seated at his desk at the police precinct, head in hands and hung over when he receives an antidote from fellow detective Amy Santiago (Melissa Fumero), one handed down by her grandfather: a glass of raw egg yolks. “You look like the corpse we just pulled out of the river,” says their commander, Captain Ray Holt (Andre Braugher), as he walks in. Jake plays it off by claiming the drink is part of his fitness routine.

“You should drink it all,” Holt deadpans and pauses. “For your guns.”

It’s an amusing line the way the Emmy-winning Braugher dryly delivers it during a recent taping on the show's Los Angeles set. Samberg is inspired to improvise different endings that involve consuming the drink, insulting Santiago’s grandfather and trying to one-up Braugher. Soon, both actors are cracking up.

The exercise proves that Fox’s new comedy “Brooklyn Nine-Nine” isn’t going for edge. “Parks and Recreation” producing team Dan Goor and Mike Schur have teamed up again to create a throwback workplace comedy that features daily life in a Brooklyn precinct without a laugh track a la “The Big Bang Theory” or a fake documentary crew like “Parks.”

But the show is quietly breaking ground (it has yet to crack five million viewers) with one of the most ethnically diverse casts on broadcast television. Samberg’s star detective is a goofball but skilled investigator whose two bosses are black men—one of whom is gay—and two of his detective peers are Latinas. In the same way that ensemble dramas like “ER,” “Lost” and “Grey’s Anatomy,” paved the way for multiculturalism without tokenism, “Brooklyn Nine-Nine” defies stereotypical comedic expectations and finds the humor in humanity—not skin color or ethnic background or sexual preference.

“The worst kind of comedy, the worst kind of stand-up to me is when they talk about what you’re looking at—‘I’m Jewish’ or ‘I’m wearing glasses,” Samberg said. “You want to hear jokes about life and things you can relate to. I don’t think this show will ever go out of its way to make comments in that regard.”

Instead, the laughs are found in how the stoic and hard-to-read new commander Holt reacts to Peralta’s antics or how badly Santiago wants to beat Peralta’s closure rate—not where they come from or who they sleep with. Detective Charles Boyle (Joe Lo Truglio) is in love with hard-to-get detective Rosa Diaz (Stephanie Beatriz), a tough cookie who doesn’t speak with an accent or acts particularly sassy. Sgt. Terry Jeffords (Terry Crews) is a hulk of a man who has become petrified of fighting crime since he became a father of twin girls; office secretary Gina Linetti (Chelsea Peretti) is just plain insane.

“I was working on this thing for a month before I realized that there’s two black guys running the precinct—and I work on the show!” said Crews during an interview with NBCNews in his dressing room. “I didn’t even think about that, which is so cool because, oh my God, we have all been there. I’ve turned down a lot of stuff where the message was ‘We’re going to be diverse!’ Give me a break. We’re in Brooklyn. If you don’t make it diverse, it looks funny. We are what ‘Friends’ should have been.”

During an interview in the set’s evidence room, Beatriz, who played Sofia Vergara’s character’s sister on “Modern Family” earlier this year, teared up as she described what it means to her to play a Latina whose ethnicity is not the butt of the jokes or the essence of her character.

“I remember as a kid watching TV and looking for myself and not being able to find myself very often,” she said. “There were very few shows I could see myself. I get a little emotional about it because it’s very important. Back in the day, people would go to theater to watch the human story. Now we’re watching it from our houses; to know that there are people who are watching it who can see themselves is a good feeling. I don’t talk about being Latina every day. I also don’t talk about what kind of deodorant I use. It’s something that happens or is a part of me. And it’s the same on the show. It’s almost monumental in its normalcy.”

The producers and casting director Allison Jones assembled the cast of veterans and fresh faces by staying open-minded during auditions. Once Samberg was cast in the lead role, Goor said his team went about making the Brooklyn precinct as realistic as possible without committing any characters to certain backgrounds or ethnicities. “Parks,” which is set in a small Indiana town, also boasts a multi-ethnic cast that includes Aubrey Plaza, Rashida Jones, Retta, and Aziz Ansari alongside star Amy Poehler.

“Our feeling was not calling attention to their ethnicities and not calling attention too much to Captain Holt being gay,’ Goor said. “We just feel like in real life you’re in a workplace and the Latina lady is not referencing the barrio. She’s a person, just like you’re a person. To a certain extent, it’s just writing toward reality.”

For example, Beatriz auditioned for the role of “Megan.” When the producers decided they wanted to hire her, they renamed her “Rosa.” That the two top officers in the precinct turned out to be black men, Goor said, was a function of wanting to work with Crews from the outset and being pleasantly surprised that Braugher, who is known for his dramatic heft, wanted to test his comedy chops. The role of the commander was always written as gay because the writers wanted the new leader to be a hard-working, ambitious policeman who had been held back because he had come out of the closet in the 80s.

“I’m not playing a gay police captain,” Braugher of his first comedic television role. “I’m playing a police captain who happens to be gay. The distinction is large in my mind. The gay police captain is eventually going to be wearing hot pants and singing ‘YMCA.’ The police captain who happens to be gay is going to be a huge collection of personality characteristics and motivations. I’ll get a husband one of these days but he’ll be my sweetheart as opposed to that man candy we bring in for stunt casting.”

In that same way, detective Boyle (Lo Truglio) is trying to win Rosa’s heart without any mamacita jokes or “spicy” references. “I love that these are traits that don’t define the characters,” the former “Reno 911” star said in an interview. “They shouldn’t. The reality of a police precinct in Brooklyn today is what you see here.”

Braugher jokes that he was lost in the “woods of drama” when “Brooklyn Nine-Nine” found him and won him over with its realistic treatment of diversity. “Broadcast TV is very conservative and they’re always concerned about reflecting the audience’s prejudices rather than reflecting the world as it is. When you’re going into people’s homes, there’s a big pressure to be lovable and acceptable. But life is made up of all these juicy parts. I’m not necessarily a fan of that kind of conservatism. I would like to start by holding a mirror up to life. And this is a show that does that.”








Source: http://www.nbcnews.com/entertainment/brooklyn-nine-nine-finds-humor-humanity-not-stereotypes-8C11381614
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